We Won’t Turn Into Crabs

Looking round me again, I saw that, quite near, what I had taken to be a reddish mass of rock was moving slowly towards me. Then I saw the thing was really a monstrous crab-like creature. Can you imagine a crab as large as yonder table, with its many legs moving slowly and uncertainly, its big claws swaying, its long antennæ, like carters’ whips, waving and feeling, and its stalked eyes gleaming at you on either side of its metallic front? Its back was corrugated and ornamented with ungainly bosses, and a greenish incrustation blotched it here and there. I could see the many palps of its complicated mouth flickering and feeling as it moved.

“As I stared at this sinister apparition crawling towards me, I felt a tickling on my cheek as though a fly had lighted there. I tried to brush it away with my hand, but in a moment it returned, and almost immediately came another by my ear. I struck at this, and caught something threadlike. It was drawn swiftly out of my hand. With a frightful qualm, I turned, and I saw that I had grasped the antenna of another monster crab that stood just behind me. Its evil eyes were wriggling on their stalks, its mouth was all alive with appetite, and its vast ungainly claws, smeared with an algal slime, were descending upon me. In a moment my hand was on the lever, and I had placed a month between myself and these monsters. But I was still on the same beach, and I saw them distinctly now as soon as I stopped. Dozens of them seemed to be crawling here and there, in the sombre light, among the foliated sheets of intense green.

  • H G Wells, ‘The Time Machine’

TRIGGER WARNING: THE SECOND IMAGE SHOWS A SPIDER, FIVE LINES BELOW THE FIRST.

As Wells’s Time Traveller approaches the end of the world, he stops his time machine and witnesses a cold, almost dead world populated by only a small number of remaining species. There’s the large butterfly-like animal in the sky. There are lichens on the rocks. There is the later tentacled thing in the water. Also, famously, there is the gigantic predatory crab. This is what I want to talk about now. For the purposes of ‘The Time Machine’ at least, H G Wells clearly expected one of the last terrestrial animals living on the surface of this planet to be a giant crab.

In Arthur C Clarke’s 1973 novel ‘Rendezvous With Rama’, which I’m about to spoil, one of the characters crashes his sky bike in an alien habitat to find it being “eaten” by a giant biological robot resembling a crab. So there: crabs again.

Thirdly, on a personal note I once tried to design a terrestrial animal without making any assumptions who could manipulate their/its environment, and found myself coming up with a crab. That is, a squat box of a body with incorporated mouth and sense organs at the front, bilaterally symmetrical with jointed legs and a pair of pincers. I can’t remember the exact reasons why this seemed a good idea at the time, and it would be good to do so because it might explain a certain tendency which has been observed and also exaggerated.

Okay, so there’s this thing called “carcinisation”. It’s been inaccurately described as “every living thing is evolving into a crab”. This is obviously not true. For a start, many living things are evolving into trees instead, and scorpions, pseudoscorpions and lobsters are all suspiciously similar, but there is indeed something about animals called crabs. It’s actually two different things. One is that we tend to use the word “crab” to describe a lot of different animals who are definitely not crabs and the other is that there are a lot of crustaceans who are very crab-like indeed, and their ancestors were often much less crab-like. I’ll start with the first bit.

So, there are horseshoe crabs, crab spiders and crab lice. None of these are crabs and with the possible exception of horseshoe crabs, nobody really thinks they are. This is a horseshoe crab:

By Shubham Chatterjee – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=27667459

I don’t think anyone thinks these are really crabs do they? The main part of their body is not longer than it is wide, is rather flattened and is covered by a chitinous exoskeleton, and they live in salt water and on beaches, so in that sense they’re like crabs, but they’re more closely related to crab spiders than actual crabs, whatever actual crabs are. They’re remarkable in all sorts of ways, but also remarkably, I’m not going to digress about them here.

Speaking of crab spiders:

. . .that’s what this is. These live in flowers awaiting insects landing on them such as bees, and they’re unusual for British land animals because they can change colour to camouflage themselves against their backgrounds. They look a lot more like crabs than their relatives. By “crab”, I mean the classic flat and wide bodied decapods with claws.

Then there are these delightful individuals:

By Doc. RNDr. Josef Reischig, CSc. – Author’s archive, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=31557499

It’s unfair to judge parasites for their life styles. Nobody ever asks to be an obligate parasite as far as I know. Then again, we presumably have our own instinctive revulsion of organisms, which we can’t really help either. Actually we can, but it can be difficult. I used to be a koumpounophobe, so I do realise people can’t do anything about this stuff unless a miracle occurs (which it did for me). I mean, you can have therapy I suppose. These are of course insects and there are only two species of them, whose other lives on gorillas. This makes me wonder why it’s just them and us. They can also live on eyelashes, particularly children’s, and that’s a whole rabbit hole I’m not going to talk about. Presumably they’re that shape because it makes them harder to catch, and like head and body lice they’re dorsolaterally compressed, and I think they cling on with their front legs. And they’re not crabs.

Seeing as I’ve mentioned crab spiders, I may as well mention spider crabs. I won’t be showing a picture of them because of arachnophobes who might be reading this, but they’re not spiders but crabs. Or are they? This brings up the whole issue of what a crab is. This is yer bog standard crab:

Hans Hillewaert Description Cancer pagurus Linnaeus, 1758 English: Edible crab form the Belgian part of the North Sea. Date 6 March 2006 Source Own work

Now this is definitely a crab. As the caption says, they’re Cancer pagurus, the so-called “edible crab”. I don’t know about you, but I’d be a little disturbed if some Dannelian decided to call me an example of an “edible human”, and it seems a bit unfair to define their identity in this way. In a way of course, they do crawl around being edible, but then many other animals do, not always by humans but by some other species. Also, we don’t call sheep “edible sheep”, and other species of crab can be eaten, so why?

Anyway. . .

This is a crab, that much is for sure, and there are other species of crab related to them who are presumably also crabs, such as the swimming crab:

By Didier Descouens – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=8404985

This is also definitely a crab, whose back legs are specialised for swimming, and I’d be gobsmacked if this species turned out not to be closely related to the previous one. This makes me wonder how much crabs who are not crabs resemble crabs who are. Nonetheless, there is this thing called carcinisation.

The issue was first raised formally in 1916 by the zoölogist Lancelot Alexander Borradaile, who referred to it as:

… the phenomenon which may be called “carcinization” … consists essentially in a reduction of the abdomen of a macrurous crustacean, together with a depression and broadening of its cephalothorax, so that the animal assumes the general habit of body of a crab

  • British Antarctic (“Terra Nova”) Expedition, 1910–1913. Natural History Report. Zoology3 (3). British Museum: 111–126.

What he meant by this was that many crustaceans evolve in the direction of having a carapace wider than its length, the belly side is fused into a kind of breastplate similar to that of a tortoise, turtle or terrapin, and the rear portion is flattened and bent over, completely invisible from above. The crucial feature distinguishing true crabs from merely carcinised crustaceans is that the latter only have six walking legs. Hence the porcelain crabs, for instance, are not true crabs:

By J. Antonio Baeza – Baeza, J. Antonio (10 March 2016). “Molecular phylogeny of porcelain crabs (Porcellanidae: Petrolisthes and allies) from the south eastern Pacific: the genera Allopetrolisthes and Liopetrolisthes are not natural entities”. PeerJ 4: e1805. DOI:10.7717/peerj.1805., CC BY 4.0, https://commons.wikimedia.org/w/index.php?curid=47470579

These have three pairs of legs plus claws at the front, so they presumably started off with four pairs and the front pair became claws. In fact, one particular porcelain crab is said to be “hypercarcinised” in that they are not only crab-like but the males have a smaller pleon (the bent-forward underside bit) than the females, which is also the case for true crabs. This is the crab in question:

By J. Antonio Baeza – This file has been extracted from another file, CC BY 4.0, https://commons.wikimedia.org/w/index.php?curid=47628248

Crabs have apparently evolved five times, or rather the crabs who are still around today are of five only distantly related lines. There are the hermit crabs, who are distinctive in being asymmetrical and gave rise to the coconut crabs:

These are the largest land-living arthropods of all, weighing four kilogrammes and are almost a metre across with their legs spread out, and they don’t spend much time in the water at all. Adults actually drown in water, so their arrangement is like amphibians, with larval forms in the water crawling onto the land to become adults. Their affinity to hermit crabs can be discerned through their relatives the king crabs, who are still asymmetrical, which hermit crabs need to be so they can fit themselves into whelk shells. And of course hermit crabs are not crabs. Along with porcelain crabs, they belong to the order anomura rather than the true crab order brachyura. They’re related to squat lobsters:

By Matthias Buschmann (M.Buschmann) – Own work, CC BY-SA 2.5, https://commons.wikimedia.org/w/index.php?curid=1729257

Hermit crabs might be described as needing to live in shells (they also live in rubbish like bottle caps) because their exoskeletons are too soft, but it also makes sense to say they save themselves the bother of growing hard carapaces by using shells instead. Some other animal builds the armour, dies and they then recycle it.

A further, related example is the king crab:

By The Children’s Museum of Indianapolis, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=17133782

Hairy stone crabs are yet another example:

By Michael Marmach – https://collections.museumsvictoria.com.au/species/8663, CC BY 4.0, https://commons.wikimedia.org/w/index.php?curid=137332771

Although all the other examples given so far are crustaceans in the infraorder anomura, whereas true crabs are brachyura, that’s not an order exclusively of crabs and their ancestors weren’t crab-like. There’s a further, long-extinct, example, consisting of an entire order, the cyclida, living from the Carboniferous into probably late on in the age of (non-avian) dinosaurs, who looked like this:

By Hemiauchenia – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=127979567

Palaeontologists disagree about what cyclids were. Although they’re usually considered crustaceans, a minority believe they were chelicerates, i.e. related to spiders and horseshoe crabs. If so, it’s all the more remarkable that they’re like crabs.

To a limited extent, turtles are somewhat crab-like, although since they lack the general body plan of arthropods they aren’t that similar. All of the crab-like animals mentioned here are arthropods. Crab lice and crab spiders are apparently merely coincidentally crab-like, as they live out of the water.

What, then, are the pressures that tend to make decapod crustaceans into crabs? Well, the living examples are all decapods, which incidentally seems to specialise in convergent evolution as it also includes the scorpion-like lobsters and crayfish, so they have somewhat similar genes which may mutate in the same direction. The intermediate forms are usually like squat lobsters. Although none of their ancestors were similar to crabs, they were in fact similar to each other. The ancestor of the true crabs was also, unsurprisingly, not particularly crab-like:

By Gerhard Scholtz – Eocarcinus praecursor Withers, 1932 (Malacostraca, Decapoda, Meiura) is a stem group brachyuran Arthropod Structure & Development, CC BY 4.0, https://commons.wikimedia.org/w/index.php?curid=97615916

This, Eocarcinus, was early Jurassic and once again somewhat squat lobster-like. I don’t know how much cyclids and early brachyura overlapped, but I suppose it’s possible that the latter were “new and improved” and edged the others out, presumably sideways.

There are other factors. Their relatives flex their hind ends to escape rapidly but because crabs’ are bent under, this is no longer possible and they have to run instead. This is also true of coconut crabs because they live on land, so they don’t have the advantage of pushing themselves around in water.

All this, of course, is an example of convergent evolution, although in fairly closely related animals who already have the genetic precursors and appropriate environment to help them do so. To clear up the big myths, this is not an unusual process and not everyone is turning into a crab. Humans have lost their tails, are dorsoventrally flattened and have grabbing hands, but we’re not becoming any more crab-like than that and apart from the opposable thumbs, these are not to do with the pressures on crabs to go that way. Even so, it’s conceivable that because this process also leads to front claws that can manipulate objects and is encouraged by living out of the water, other intelligent life forms in the Universe might actually look like crabs, which explains the Macra on Doctor Who.

To me, there is a much more spectacular example of convergent evolution in the form of pitcher plants. We have for a few years now had Nepenthes pitcher plants growing in our utility room:

A while back, I also tried to grow Sarracenia but it died:

These are trumpet pitchers and are in the same order as heather. They mainly grow in Canada, which is why I thought they’d be fine here in England, but actually they died, possibly because I accidentally chose a species native to subtropical North America instead. The Nepenthes, though, have thriven. These are Old World tropical plants in a huge order including cacti, chickweeds and soapwort, although there are so many of them that this is a pretty arbitrary choice of examples. A third lot of pitcher plants is in the bromeliad family along with pineapples and papaya, including tank bromeliads, which are quite amazing. They have a whorl of leaves, really blades as they’re related to grasses, in whose centre rainwater collects and into which, like the others, insects fall and are digested. Unlike the other pitcher plants, though, tank bromeliads have entire ecosystems living in the water too, including frogs and salamanders. One example of a tank bromeliad is Brocchinia reducta, one of three carnivorous species of the plants:

It’s fairly easy to understand how a bromeliad could become carnivorous. Pineapples and papaya both contain enzymes which break down protein (proteases). Pineapples also have a whorl of leaves at the top which would collect rainwater. In a tropical environment, leaf litter and also dead insects are likely to fall into this water, and in the latter case drown. From this, it’s a small step to them eating insects, using them the way other plants use leaf litter and decaying animal life to fertilise their roots. Incidentally, in a side note, it’s also easy to see an affinity between pineapples and sweetcorn cobs.

A further example is Cephalotus follicularis, the Australian pitcher plant:

By H. Zell – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=56478465

Once again, the same thing has happened and this time the plant is a lot more like Nepenthes, but again is not closely related to any of the others. Thisses family contains just this single species, but they’re related to wood sorrel and a number of other plants more familiar to Europeans.

Apparently this has happened eleven times. In the case of Nepenthes, two species have symbiotic relationships, one with treeshrews and another with bats. The bats roost inside the pitchers and poo into them, and the treeshrews use them as toilets, in both cases providing nitrogen. Pitcher plants sometimes appear to be related to flypaper trap plants such as sundew, which operate by having sticky leaves which trap insects, and may either be evolving into pitcher plants or have evolved from them. Again, this has happened several times in unrelated lineages.

There are many other examples. Koalas, for instance, have fingerprints indistinguishable from ours and also opposable thumbs, although in their case both the first and second digits are involved. That occurs in humans sometimes in a condition known as Robinow Syndrome, which I don’t actually consider to be a valid syndrome so much as an individual variant. There’s also the very obvious ichthyosaur/dolphin/sawfish business.

So carcinisation, though interesting, certainly doesn’t mean everyone will eventually turn into a crab. Some carcinised species have also become less crab-like over time. For some reason, people have latched onto it and turned it into a seemingly bigger thing than it really is. It’s interesting, and it’s a good example of convergent evolution, but I very much doubt that any of my descendants will ever be living on a beach with a carapace and claws.

Vintage Dystopias

Unlike ‘1984’, ‘Brave New World’ seems practically impossible to adapt well for any size of screen. I don’t understand why this is. I’ve recently endured two and a half episodes of last year’s NBC version of it and whereas the first episode was okay, it rapidly slumped into sheer awfulness which was painful to watch even a minute of. It isn’t even the exception in that respect. There have been earlier TV and cinematic versions which were just as bad in their own way. The one with Leonard Nimoy in it for example was just dire. The only version which I can remember which was any good was the 1980 TV movie, and even that was plagued with low production values and was very stagey.

Just indulge me a moment while I slag off the latest version. This will obviously contain spoilers.

I can’t be comprehensive or incisive in my criticism of the series, but I can pick out a few things which form part of the calamity. One is the depiction of the Savage Reserves. My impression is that the makers of the series got antsy about racist and inaccurate depictions of the Southwestern Native Americans and decided instead to show them as “white trash”. The problem with this is that it isn’t actually any better to stereotype the White working class than any other group, and it seems to me that the motive there is simply to attack an easy target which is unlikely to be watching and therefore unlikely to complain. It also seemed that as soon as we’d got to the Savage Reservations and their very un-“Brave New World”-ly atmosphere, we got stuck there. I don’t think the quality of the writing could ever measure up to that of Huxley’s, and the effect is therefore of an ugly clash. Moreover, the majority of the world needs to be depicted as vapid and it seemed they were rather too keen on showing off the slickness and beauty of the sets and special effects. Also, guns‽ Are you kidding me‽

It isn’t even “so bad it’s good”. I was only driven to continue by disbelief at how awful it was, hoping there would turn out to be some kind of twist which justified what they’d done. But it’s just bad.

What puzzles me about this is that whereas this is often bracketed with ‘1984’ as great mid-twentieth century depictions of dystopia, Orwell’s work seems to lend itself quite well to such treatments. My personal favourite is the John Hurt version. This and Terry Gillam’s ‘Brazil’ have an oddly similar appearance, although the tone is rather different. Pains were taken not to depict anything in the film which didn’t exist in 1948, when the novel was written. The acting is excellent, the sets are too. I find it coming to mind on a regular basis even now, getting on for forty years later. Maybe the difference is that romance in Orwell’s book is not dead, but is persecuted, whereas in Huxley’s work it died centuries before the start of the novel. One problem may be common to much science fiction: ‘Brave New World’ focusses more on ideas than plot or character and suffers if adaptation focusses on special effects because that reproduces the very superficiality it aims to criticise. Science fiction cinema and TV is generally worse for high budgets and good special effects because they distract from the core meaning of the text, and the kind of ideas Huxley’s novel addresses are hard to depict visually. There also isn’t that much action, and there are great slabs of exposition in it, including the climax. A somewhat worrying possibility concerning adaptation is that the world is probably now considerably closer to how it is in the story and therefore it’s harder to see what it’s criticising because we tend to take it for granted.

Huxley and Orwell knew each other and the former wrote to the latter about ‘1984’. One striking observation in his letter was that rather than the kind of brutal physical violence committed to keep the Airstrip One populace down, something more akin to brainwashing would be more likely to be deployed because it would lead the citizenry to “love their servitude”. There’s certainly a lot of overt psychological manipulation in the post-war work, but it’s accompanied by torture and execution and the standard of living for most is very low. One thing the two do share is the colour-coding of the castes, and they also share the feature of being set at specific dates, at least insofar as we know Big Brother isn’t lying about that, but since Winston can remember the immediate post-war period as a child he probably is, for once, being honest. Huxley also said:

I feel that the nightmare of Nineteen Eighty-Four is destined to modulate into the nightmare of a world having more resemblance to that which I imagined in Brave New World. 

I want to move on now to something which may or may not constitute a dystopia: the Eloi/Morlock section of H G Wells’s ‘The Time Machine’. The Time Traveller moves downward in time to the year 802 701 CE, where he finds a society where the effete Eloi live above ground in a kind of bucolic setting but are predated upon by the more malevolent and violent subterranean Morlocks. There’s clear satire here, but Wells also attempts to portray human evolution in this respect. The Morlocks are descended from the lower orders and the Eloi are what remains of the middle and upper class, and the two have become different species.

There are other dystopias and depictions of the future from this era, insofar as the fifty-three years separating Wells’s and Orwell’s works can be seen as an era. They include Zamjatkin’s ‘We’ published in 1924 in English translation, which since it preceded the invention of the video camera envisaged an urban environment where all the buildings were made of glass. Olaf Stapledon’s World State is another, which is an Americanised world founded in the twenty-third century and lasts for five thousand years, was devised in 1930 and isn’t exactly a dystopia but reflects a serious lack of fulfilment of the human spirit combined with fairly advanced but stunted technological development. Huxley’s World State is technologically stunted by design, to prevent progress causing instability. Looking closer to the present day, ‘Blake’s 7”s Terran Federation is plainly modelled on a mixture of Huxley’s and Orwell’s worlds, with thought control by the use of drugs, the use of soma, the existence of castes referred to by Greek letters and also a corrupt military dictatorship with torture and summary execution. It’s as if someone who had never read either book but was aware of their influence had tried to imagine what it was like. Another example of a dystopian novel near that time is Ray Bradbury’s 1953 novel ‘Fahrenheit 451’, where books have been outlawed. This may be unfair, but although I think Bradbury’s book is excellent, I also get the impression that Bradbury is praising quality literature without really knowing much about it. H G Wells also wrote the genuinely dystopic ‘The Sleeper Wakes’ and ‘A Story Of The Days To Come’, which I haven’t read but I think cover his vision of what would happen if socialism wasn’t adopted, so presumably we’re living in that future. Ayn Rand’s ‘Anthem’, written in 1937, does the opposite, imagining a world where even the first person singular pronoun has been abolished. Incidentally, it’s interesting that Olaf Stapledon was imagining something somewhat similar in the form of a cosmic hive mind in his ‘Star Maker’ of the same year.

In spite of my appreciation of the three works I’ve mentioned, and against the grain of the usual attitude towards respecting literature of this calibre, it has occurred to me that ‘1984’, ‘Brave New World’ and ‘The Time Machine’ could all be placed on the same timeline. This isn’t an entirely idle exercise.

First, dates. ‘1984’ is set in 1984, although it isn’t entirely clear because of the lies and propaganda woven by Ingsoc. ‘Brave New World’ is set 632 years after the first Model T Ford rolled off the production line in 1908, so that’s 2540 CE, and it also makes 1984 retroactively 76 AF (After Ford). The Time Traveller arrives in 802 701 CE, which is so far in the future that it hardly makes any difference when Huxley’s dating system is used, but it’s 800 793 AF. The chronologically earliest novel is in the most distant future and the latest is in the least distant, which might be significant. It could be linked to an increasing realisation of how social and technological change appear to accelerate, although there are arguments that it doesn’t, which I’ve been into somewhere (can’t remember exactly where). ‘Brave New World’ has a backstory which is again somewhat reminiscent of ‘Blake’s 7’, probably because that’s where the TV series got it from. However, because “history is bunk” according to Ford, the details are a little hazy and Ford and Freud are actually confused for each other, so the question of whether it’s accurate history arises. The same is true in ‘1984’ because of the distortion introduced by Ingsoc, which always reminds me of North Korea. For instance, Big Brother is said to have invented the steam engine. This provides the first link between the two. 1984 represents an early stage where people can still remember a time before Ingsoc and therefore can’t be lied to quite as effectively. Once living memory is gone and Newspeak has succeeded in remoulding thought, a new version of history can be created, and this is of course already underway with the editing of the ‘Times’ and other historical records which is Winston’s job. And as I’ve said, colour-coded uniforms already exist and the Inner Party, Party and proles have become classes with no possibility of social movement between them. Sexual activity is frowned upon and only accepted as a necessary evil, to be eliminated as soon as practicable. But as Huxley pointed out in his letter to Orwell, the ultimate revolution goes beyond politics and amounts to mind control, which he felt reflected the thought of the Marquis de Sade. He saw Orwell’s idea of the “boot on the face forever” as quite labour-intensive and wasteful. As Asimov pointed out, a society operating at Airstrip One’s level of distrust would require the watchers to be watched, and those watchers and so forth ad infinitum, which is of course impossible. However, it’s more efficient to get the populace to oppress itself, and this can be seen in the character of Parsons, who purports to be proud of his daughter for calling the Thought Police on him for allegèdly saying “death to Big Brother” in his sleep. He’s doing Big Brother’s job for him. Huxley’s view is that this is logistically a much better way of oppressing people, and this is why conditioning and soma occupy such a prominent position in his new world. There seems to be a fair bit of sadism in ‘1984’: they don’t like the fact that they have no control over sexual pleasure, so they’re trying to get rid of it.

These can be linked together as follows:

  1. Shortly after 1948, coups of some kind took place throughout the world leading to the formation of three power blocks plus a disputed area in Afrika and the southern part of Asia. These are Oceania, consisting of the Americas, Australasia, southern Afrika and the British Isles; Eurasia, comprising continental Europe and the former Soviet Union, and Eastasia, which is mainly China. These are at constant war and their régimes are practically identical, consisting of an inner party which oppresses an outer party and doesn’t bother much with a third prole group because they oppress themselves due to their lack of education. They wear colour-coded uniforms. This is the situation as of 1984 CE.
  2. Newspeak becomes all-pervading. The gradual unification of the world which began with the formation of the three power blocks continues until the whole world is part of one state, and history is re-written completely. The disputed areas change location and become savage reserves. The Inner Party decides that sex for reproduction gives the population too much opportunity to subvert the next generation and replaces it with artificial wombs growing fetuses outside the body. This gives it the opportunity to condition babies from before birth. A new drug is developed which causes the people to become placid and coöperative, which renders the constant state of shifting war unnecessary. The three classes, now mass-produced, become completely fixed and are conditioned differently.
  3. By 2540 CE, the world is unified and divided into five castes. Reproduction is a function of the state and the people are controlled by drugs and conditioning. The colour-coded uniforms are now applied to each caste and therefore somewhat diversified. Alphas are the old inner party, Betas and Gammas the outer party and Deltas and Epsilons the proles. There is no possibility of rebellion and technological change is deliberately prevented as it leads to instability. There’s a lot of sex.
  4. At this point I want to borrow from Stapledon’s First World State, which is contemporaneous with Huxley’s. The ultimate reason for its decline was that fossil fuel reserves became exhausted after five thousand years and there was insufficient flexibility in human behaviour to adapt, so a new dark age began. Similarly, a calamity befalling Huxley’s world state might not be amended due to the rigidity of conditioning and social roles, meaning that the loss of resources (“ending is better than mending”) would mean the end of civilisation as they knew it. Reproduction by means of intercourse could begin again, much to the distaste of the people involved, but the savage reservation people would have been doing it all along anyway, so they would have the upper hand. They would not, however, interact.
  5. Finally, the situation H G Wells describes has developed. Humans are now two separate species, the Morlocks and the Eloi, living in a primitive state and in denial about their death, which is a remnant of the conditioning to accept death instilled in the days of the World State. Some evolution has occurred since it’s now getting on for a million years since the events of Brave New World.

In closing, it feels to me that Huxley failed to appreciate that the inner party of ‘1984’ was not merely motivated by efficiency but also by sadism and the need to know that others are worse off in order for them to assert their psychological superiority. This is, sadly, not even slightly fictional in my view. It is not enough to celebrate one’s own success. One must also be conscious of others’ failure. This is one reason the government of today’s Airstrip One needs an underclass.